The Thirty-seven Aids to Enlightenment are a set of fundamental teachings of Buddhism in the form of a list. The list’s seeming simplicity belies the fact that it is in fact a kind of road map to enlightenment for anyone who follows it with diligence and sincerity. The Thirty-seven Aids comprise seven practices conducive to awakening. Each of the seven practices is itself a set of elements, which add up to the total of thirty-seven: (1) The Four Foundations of Mindfulness, (2) The Four Proper Exertions, (3) The Four Steps to Magical Powers, (4) The Five Roots, (5) The Five Powers, (6) The Seven Factors of Enlightenment, and (7) The Noble Eightfold Path. Master Sheng Yen’s down-to-earth teachings take the reader on a progression through each of the practices—many of which are familiar to all major schools of Buddhism—illustrating how they relate to the reader’s own practice on the path toward enlightenment.
To my knowledge there are no anthologies of Ch’an poetry in Chinese, Japanese or English which describe in detail the method of practice and the experience of Ch’an Furthermore, there are few prose sources in English dealing with the same topics On the other hand, there are numerous books in English that relate the episodes of the kung-ans(koans)The prevailing view that comes from reading these stories is that the practice of Ch’an is methodless, and since there is no way to describe the experience of Ch’an, it is suggested that we just go ahead and practice by studying the kung-ans The purpose of these poems is different in that they specifically show you how to practice, what attitudes to cultivate and what pitfalls to beware of Finally, they attempt to describe the ineffable experience of Ch’an itself These poems flow directly from the minds of the enlightened Ch’an masters; we get a glimpse into their experience at the time of, and after their enlightenment In contrast, in reading a kung-an we get an objective story of what happened and we don’t really know what was in their minds. It is my hope that this collection of poems will give those who are interested in the practice a new way of looking at Ch’an and a more balanced view of the scope of Ch’an literature The present selection is offered to make this tradition available to Western readers who may otherwise not be aware of their existence.