《〈破魔變〉中英對照校注》為敦煌寫卷的重要研究,〈破魔變〉講述佛陀成道時,遭逢魔王擾亂修行的故事。變文是受到佛教影響而興起的一種文學體裁,改寫佛經故事,讓故事更通俗易懂,將佛法的精神與意義深印人心,此種講唱佛經的方式,深深影響了中國文學和戲劇的發展。二○一五年七月至二○一七年三月,中華佛學研究所洪振洲教授與根特大學根特佛學研究中心(Ghent Centre of Buddhist Studies at Ghent University)安東平(Christoph Anderl)教授合作主持「中古佛教寫本資料庫編碼」專案,將部分敦煌佛教寫卷進行整理與數位化;二○一七年再設立「敦煌寫卷〈破魔變〉中英對照本專案」,將〈破魔變〉寫卷再次進行校注與整理,並出版本書。為方便中、西方讀者閱讀,書中附有〈破魔變〉寫卷彩圖,並將寫卷內容楷定成現代通用的正字,同時製作異體字表、通假字表,及提供中、英文的校勘與註解,以利讀者參照研究,能深入理解寫卷,感受變文之美,並體會佛法真義。
作者洪振洲(「中古佛教寫本資料庫編碼」專案主持人)臺灣科技大學資訊管理系博士,法鼓文理學院佛教學系專任副教授兼任圖書資訊館館長。他的研究興趣包含漢譯佛典作譯者分析、數位典藏專案建構、數位人文研究資源開發與數位文字處理議題,目前參與許多由法鼓文理學院執行的數位典藏計畫。詳細資料可參見網址:http://joeyhung.info/安東平Christoph Anderl(「The Database on Medieval Chinese Dunhuang Texts 」project director)Christoph Anderl is a Professor of Chinese Language and Culture at Ghent University. He has an MA in Chinese Studies from Vienna University, and a PhD in Chinese Linguistics from Oslo University.Anderl's research focuses on Medieval Chinese language and literature, with an emphasis on vernacular texts and Dunhuang manuscripts, Medieval Chan Buddhism, and the interplay of text and image in the transmission of Buddhist narratives.For more information on publications and research, please consult the following web pages: http://research.flw.ugent.be/en/christoph.anderl and https://ugent.academia.edu/ChristophAnderlThe work on the manuscripts was generously supported by a fund of the Bijzonder Onderzoeksfonds (BOF), Ghent University
佛教禪修傳統研究視野與思想交流,是近年來世界佛教學術研究的重要新趨勢,法鼓文理學院於二○一四年十月舉辦「佛教禪修傳統:比較與對話」國際研討會,邀請德國、比利時、義大利、美國、印度、日本、臺灣等地學者,就不同面向深入探討佛教禪修議題。
本論文集精選此次國際研討會中七篇論文,內容涵蓋早期佛教文獻對第二禪的探討、南北大眾部對於禪修中定心與頓悟的比較、禪修中的性格分類、印度與中國佛教教義與禪修經驗的比較、觀經變相圖的比較研究、看話禪的研究,以及中國禪宗詩偈於生命教育之應用初探。
藉由傳統與現代議題對談,呈現多元面貌的理論與實踐方式,提供禪修研究新的觀點。
作者簡介
Bhikkhu AnalayoDharma Drum Institute of Liberal Arts
Bart DesseinGhent University
Mahesh A. DeokarSavitribai Phule Pune University
Eric M. GreeneYale University
Nobuyoshi YamabeWaseda University
賴賢宗國立臺北大學
辜琮瑜法鼓文理學院
(按論文順序排序)
This is the fourth volume of proceedings of the Āgama seminars convened by the Āgama Research Group at the Dharma Drum Institute of Liberal Arts (formerly Dharma Drum Buddhist College). It comprises nineteen studies, contributed by eighteen different scholars, on various themes related to the Connected Collections of discourses (suttas, sūtras) — Saṃyutta-nikāya in Pali, Saṃyukta-āgama in Sanskrit — transmitted by different early Buddhist lineages of reciters, preserved in their Indic originals in Gandhari, Pali and Sanskrit as well as in Chinese and Tibetan translations. This research draws attention to fundamental methodological points posed by the study of these scriptural collections as windows into the formation of early Buddhist texts and the organisation of their transmission.
作者簡介
About the editor:Bhikkhunī DhammadinnāDharma Drum Institute of Liberal ArtsAbout the contributors:Oskar von HinüberAlbert-Ludwigs-Universität FreiburgBhikkhu AnālayoUniversität HamburgRupert GethinUniversity of BristolRichard SalomonUniversity of WashingtonMark AllonUniversity of SidneyJoseph MarinoUniversity of WashingtonJin-il Chung (鄭鎮一)Akademie der Wissenschaften zu GöttingenPeter Skilling (Bhadra Rujirathat)École française d’Extrême-OrientJens-Uwe HartmannLudwig-Maximilians-Universität MünchenYao Fumi (八尾 史)Waseda Institute for Advanced StudiesBhikkhunī DhammadinnāDharma Drum Institute of Liberal ArtsBhikkhu PāsādikaAcadémie bouddhique Linh-SonBhikṣu Huimin (釋惠敏)Dharma Drum Institute of Liberal ArtsTaipei National University of the ArtsKarashima Seishi (辛嶋 靜志)The International Research Institute for Advanced Buddhology at Soka UniversityMarcus BingenheimerTemple UniversityKen Su [Su Jinkun (蘇錦坤) ]Āgama Research GroupChoong Mun-keat (鍾秉潔) [Wei-keat (煒傑)]University of New EnglandStefania TravagninRijksuniversiteit Groningen
This is the third volume of proceedings of the Āgama seminars convened by the Āgama Research Group at the Dharma Drum Institute of Liberal Arts (formerly Dharma Drum Buddhist College). It collects academic contributions on various aspects related to the Middle-length Collec¬tions of discourses (sūtras, suttas) transmitted by different early Buddhist lineages of reciters, preserved in their Indic originals in Gandhari, Pali and Sanskrit as well as in Chinese and Tibetan translations.
作者簡介
About the editor:Bhikkhunī DhammadinnāDharma Drum Institute of Liberal Arts
About the contributors:
Mark Allon & Blair SilverlockUniversity of Sydney
Bhikkhu AnālayoUniversity of Hamburg
Roderick S. BucknellUniversity of Queensland
Jin-il Chung(鄭鎮一)Göttingen Academy of Sciences
Takamichi Fukita(吹田隆道)Bukkyō University
Jen-jou Hung(洪振洲)Dharma Drum Institute of Liberal Arts
Seishi Karashima(辛嶋靜志)The International Research Institute forAdvanced Buddhology at Soka University
Michael RadichVictoria University of Wellington
Richard SalomonUniversity of Washington
Peter SkillingÉcole française d’Extrême-Orient
Ingo StrauchUniversity of Lausanne
This is the second volume of proceedings of the Āgama seminars convened by the Āgama Research Group at the Dharma Drum Institute of Liberal Arts (formerly Dharma Drum Buddhist College). On this occasion, the Āgama Research Group met to discuss the early collections of long discourses transmitted by the different Buddhist schools. Thanks to the discovery and ongoing publication of the incomplete Sanskrit Dīrgha-āgama manu¬script from Gilgit, three different versions of the Collec¬tion of Long Discourses are now avail¬able for comparative study: the Pali Dīgha-nikāya transmitted within the Theravāda tradition, the just-mentioned Dīrgha-āgama in Sanskrit, identified as Sar¬vās¬ti-vāda or Mūlasarvāstivāda, and the Chinese translation of an Indic Dīrgha-āgama (長阿含經), generally considered to be affiliated with the Dhar¬ma¬¬guptakas. The six papers collected here focus on research on these various incarnations of the collections of long discourses in comparative perspective.
作者簡介
About the editor:Sāmaṇerī DhammadinnāDharma Drum Institute of Liberal Arts
About the contributors:Bhikkhu AnālayoNumata Center for Buddhist Studies, University of Hamburg &Dharma Drum Institute of Liberal Arts
Roderick S. BucknellUniversity of Queensland
Toshiichi Endo (遠藤敏一)Centre of Buddhist Studies,The University of Hong KongJens-Uwe HartmannLudwig-Maximilians-Universität of Munich
Jen-jou Hung (洪振洲)Dharma Drum Institute of Liberal Arts
Seishi Karashima (辛嶋靜志)The International Research Institute for Advanced Buddhologyat Soka University